Part of the beauty of this film is where Jarmusch leaves each story. He's rarely been one for buttoned-up conclusions. And here, he essentially offers not even a day, but a few hours in the lives of people bound by blood, and — what else? We get a window into their lives, and a glimpse of how they see each other. Then, their story moves on without us. Where will they go? What will they experience? It's a mystery the movie won't dwell on, but we can.
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This is not the first time a Labour government has tried to set a target for immediate access. In 2000, a 48-hour target was set, but by the 2005 election campaign it was causing controversy, with patients complaining that they could not book an appointment in advance because so many were being held back for quick bookings.